Where
Yerevan, with shoots and scans across Kotayk, Syunik, Gegharkunik.
STUDIOՍՏՈՒԴԻԱ
A tent, not a platform.
In Armenian, vran is a tent. VRanak is the VR tent: portable, stubborn, slightly sacred. We work from Armenia because the highland is already a set — Ararat on the horizon, khachkars in the grass, Sevan like a black plate. We do not paste a flag on a generic skybox. We start from the stories and then we make you fly them.
What we believe
- VR is a room you can sell, not a trailer you can post.
- Five hard minutes beat a twenty-minute lobby.
- Sound is half the country. Duduk, wind, choir — not a stock whoosh.
- Armenian themes are not ornaments. They are the physics.
- Events should leave a world you can license the morning after.
The old engine
Hayk the Patriarch leaves Babylon, refuses Bel, and kills him with one arrow on the shore of a lake. Vahagn is born in flame and reaps vishaps — water dragons — from the storms. Mesrop Mashtots, in the fifth century, invents the alphabet so a people can keep their voice. Geghard is carved into living rock. Garni is a pagan temple that Christianity did not quite erase. Tatev hangs on a ridge as if the mountain grew a church.
That is not mood-board. That is the plot of our first original, The Thirty-Six.
For
Museums, festivals, private parties, brands, cities, and collectors of experiences.
How
WebXR first (phones, headsets, a link), then installation, then sale or license.